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R2OT

BEATA POLCZYK – "Wool No.11"

BEATA POLCZYK – "Wool No.11"

Regular price 2.500,00 zł
Regular price Sale price 2.500,00 zł
Sale Sold
Taxes included.

Woolen object inspired by the piece composed by Fryderyk Chopin – Polonaise No. 5 in F-Sharp Minor, Op. 44


Naturally dyed felted wool, embroidery with undyed wool yarn blended with silk, wooden frame (stained and oiled)


Dimensions: 34 × 34 cm

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  • BEFORE R2OT

    Beata Polczyk developed her practice at the intersection of visual art and craft, drawing on her family’s multi-generational tradition of artisanal making. With a background in horticulture and landscape design, she cultivated a deep sensitivity to natural rhythms and materials.

  • WHY DO WE LOVE IT

    Working with handmade paper, felted wool dyed with plant-based pigments, and wood, she creates pieces that bring warmth and depth to any interior. The interplay of textures and natural tones invites a quiet sensory experience — where softness, rhythm, and form echo one another in perfect harmony.

  • OUR ADVICE

    Combine several of Beata Polczyk's works to create a soft, rhythmic composition – their textures and tones resonate beautifully together. They look especially striking above a wooden sideboard or buffet, where the natural warmth of the wood amplifies the organic character of her work.

Beata Polczyk

Beata Polczyk ( born 1988, Poland ) - creates objects at the intersection of visual art and craft, transforming natural materials into paper cut-outs and felted wool pieces that explore emotion and the cyclical rhythms of nature. Drawing inspiration from classical and jazz music, as well as the subtle colours and textures of the natural world, she translates musical compositions into a contemporary visual language — through colour, form, and the tactile qualities of natural media such as wool, wood and handmade paper. Her works invite viewers into a dialogue between material and imagination, where sound finds its echo in texture and light.

She comes from a family with a multi-generational tradition of artistic craft, which she seeks to revive and continue in a contemporary form. With a background in horticulture and landscape design, she has always maintained a close connection to nature, finding in its rhythms a guide for her choice of materials and approach to form. She works with handmade paper, felts her own wool dyed with plant-based pigments from local sources and food waste, and shapes wood as if tracing a living record of time. Through the attentive work of her hands and the conceptual depth of her practice, she builds a bridge between the worlds of sound and the visual — a meditation on harmony, impermanence, and the return to what is primordial and authentic.