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R2OT

AMÉLIE DAUTEUR – "ATSUKO" Wooden base

AMÉLIE DAUTEUR – "ATSUKO" Wooden base

Regular price €625,95 EUR
Regular price Sale price €625,95 EUR
Sale Sold
Taxes included.

2025
11/12
Painted ceramic on a wooden  base
Height: 34 cm

Atsuko is a Japanese feminine given name built from two parts. The suffix ko (子) means "child" — a word so commonly woven into women's names in Japan that it has become almost a whisper of tenderness, an eternal softness. It is the atsuthat shifts and breathes: it can be written as 温, meaning "warmth," as 篤, meaning "deep sincerity," or as 敦, meaning "honesty." The same sound, multiple souls.

To be named Atsuko is to be named after an interior quality — not appearance, not lineage, but the texture of a heart. Warm. Sincere. True.

With this totem, Amélie Dauteur turns inward. ATSUKO does not announce itself loudly. It stands as an invitation — to look closer, to feel the heat that radiates not from surface but from depth, the kind of warmth that asks nothing in return.

A child of sincerity. A figure made of the inside of things.

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  • BEFORE R2OT

    Trained in the worlds of decoration, fashion, and luxury, Amélie Dauteur creates sculptural totems marked by refined craftsmanship and joyful elegance. Her works have been exhibited in Europe. She's exposed in galleries in France and Belgium.

  • WHY DO WE LOVE IT

    Because they make us smile, calm us down, and remind us of the magic hidden in simple forms. They are contemporary artefacts that look good in modern interiors.

  • OUR ADVICE

    Place them on a console table or style them within a bookshelf — as single statements or as part of a small curated family.

Amélie Dauteur

"Okashi, Hosu, Niji, Taboo, Torio — each a charming name forming a forest of totems created by Amélie Dauteur.Amélie Dauteur’s totems are poetic exclamation marks that punctuate the art scene with their grace, finesse, and joyful beauty. It comes as no surprise — their creator, who comes from the world of decoration, fashion, and luxury, brings exceptional care to their making. Her gesture is assured, her technique refined, and in her choice of materials — hand-painted ceramics or wood shaped by time — nothing is left to chance. These elements, drawn from nature, reinforce the primal and sensual character of the totems."

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