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R2OT

GABRIELE PARISI – "ONDA II"

GABRIELE PARISI – "ONDA II"

600,00 zł
600,00 zł
Sale Sold
Taxes included.

24 x 18 cm

15/15

A bulge in the vastness of the sea. A wave already in the act of dying away as an interweaving of colored filaments. Distant mountains fill the horizon. A visual fragment of a larger, endless pulse.

Waiting time around 10 days.
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  • BEFORE R2OT

    Born in Sicily in 1990, Gabriele Parisi studied Architecture, a background that shaped his sensitivity to beauty, proportion, and the atmosphere of places. He discovered photography relatively late, inspired by his father’s analog cameras, and over the past eight years has developed a personal visual language that has earned recognition from the editors of Vogue Italia.

  • WHY DO WE LOVE IT

    Because even a quick look stays with us — like a presence, a memory. The image feels familiar, like something we've seen before in a dream. The sea, the light, the stillness — captured with such softness, it almost looks painted.

  • OUR ADVICE

    Place it in your bookshelf, your living room, or even your kitchen — any everyday space where you spend time. It brings a quiet warmth to the home, like a familiar presence that softens the atmosphere and makes the space feel more alive.

Gabriele Parisi

Born in Sicily in 1990, he studied Architecture, a background that shaped his sensitivity to beauty, proportion, and the atmosphere of places. He discovered photography relatively late, drawn to the analog cameras left by his father. Over the past eight years, he has developed a personal visual language, earning recognition from the editors of Vogue Italia.

For him, photography is never neutral — it is storytelling, vision, and reflection. The sea, deeply tied to his identity, is a recurring presence in his work: not as a simple landscape, but as something alive and ever-changing. Each image arises from an inner urgency to capture a feeling, a trace, a fleeting fragment of existence.

This poetic approach extends to his broader body of work — from city impressions to solitary landscapes — always seeking to go beyond representation and touch something essential.

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Gabriele Parisi

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